The 1967 Detroit Riot was hideously destructive. More than 1000 people were injured. 43 died. More than two thousand buildings were destroyed. After five days of arson and looting, the combined forces of police, National Guard, and army troops were finally able to enforce the 9pm curfew and reestablish order.
Thank goodness for those armed men in uniform. They maintain order and save us all from the destructive forces of anarchy.
Without the cops and troops, just imagine what would have happened to Detroit. At best, the riot would have reduced the city to ashes. At worst, there could have been an armed war between the city-dwellers and suburbanites, with 10 Mile Rd as the Front Line.
If you think that is far-fetched, that is because you have lived your whole life in a well-policed country. As soon as legitimate order breaks down, chaos ensues. Look at the situation in Libya and Venezuela and South Sudan. Anarchy isn’t just a theoretical fear; it is the natural state of man.
If you think that many cops are on a power trip, you’re right. If you think that many cops use excessive force, you’re obviously right. If you think that many cops are racist, you couldn’t be more right.
If you think we would be better off without the police, you’re preposterously wrong. And you know it. That’s why you aren’t moving to South Sudan.
“Detroit” is a well-made, entertaining, gripping, outrageously biased film about one ugly incident that happened during the 1967 Detroit Riot.
It began innocently enough, with a black guy firing a loud starter pistol in the direction of some cops. The officers did not know that it was just a starter pistol and they hideously overreacted.
A handful of rogue cops busted into the building from which the shots were fired, lined everyone up against the wall at gun point, and proceeded to terrorize them until they got a confession.
Oscar-winning director Kathryn Bigalow (“The Hurt Locker”) is a master of violent suspense. As entertainment, “Detroit” is first rate. As a horror movie, “Detroit” works on every level. As a political statement, “Detroit” is a dubious achievement at best.
Making a film about the Detroit Riot and making it all about police brutality is an odd spin indeed. It’s kind of like making a film called “Nazi Germany” and telling the heart-warming story of Hitler’s relationship with his loyal German Shepard Blondi.
On one hand, the movie would be 100% true. At the same time, it would be laughably biased and expose the filmmaker’s ugly political agenda.
“Detroit” is the right movie set in the wrong place at the wrong time. Riots are the times where we need cops the most. Our country has a lot of problems. But none of them are as bad as anarchy.